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Staged in 1910 for a charitable evening, choreographer michel fokine and designer léon bakst’s le carnaval entered the annals of ballet history as a delightful stylisation of commedia dell'arte to music by schumann. Originally scored for solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello solo. Tickets to mariinsky ballet and opera theatre (russia)
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Online booking and payment (visa, mastercard, apple pay). Je suis le spectre d'une rose que tu portais hier au bal. He is the scent of a rose, the caress of its delicate petals,” described michel fokine his le spectre de la rose
He got the idea from a poem by the romantic poet théophile gautier
The short ballet created in 1911 for les saisons russes became emblematic for the diaghilev’s company. Le carnaval, le spectre de la rose, the swan, and schéhérazade, all by michel fokine. The role of pierrot at the premiere was performed by the emergent stage director vsevolod meyerhold. With his phenomenal talent for characterization, he created some of his most renowned roles in fokine’s le carnaval, les sylphides (a revision of chopiniana), le spectre de la rose, schéhérazade, petrushka, le dieu bleu, daphnis et chloé, and narcisse
His later ballets included mephisto valse and les papillons de nuit.
